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By Glen Long You want to become a good, maybe even a great, writer. You study books on writing. You follow blogs on writing. What if no amount of study and practice will take you from where you are now to where you want to be?
The persistent myth of good writing A certain snobbery exists around writing. You may even be guilty of it yourself. Literary fiction is better than genre fiction.
Journalism is better than blogging. But one form of writing is not inherently better than another. The only true measure of whether a piece of writing is any good is the impact it has on its intended audience. Did it engage them?
Did it move them? Did it change them? All other questions are irrelevant. Of course, this creates a problem for serious writers like you who want to hone their skills.
No comments on your latest blog post. No emails praising or damning your bold manifesto. No reviews of your latest Kindle novel. So where does that leave you? How do you get good?
Because nature inevitably plays its part. But deep down, this may actually reassure you. After all, who wants to be good at something that anyone can master? Before you get good, you need to get better. Study — you learn the principles of good writing and the conventions of your chosen form.
You seek to understand other elements of good writing, such as tone, pace and structure. You explore purpose and theme. And you recognize that there will always be more to learn. Practice — you write and rewrite until your work is as good as your current skills allow.
You create a writing habit and commit to a daily target. You write when friends are out having fun because you said to them: Feedback — you seek comments and criticism from other writers, friends, teachers, perhaps a mentor.
You know these people are an imperfect stand-in for your real audience, but understand that feedback is the fuel that drives your advancement. And when the feedback suggests that your writing falls short, you return to study and to practice.
This learning cycle is essential because it helps you to hone your writing instincts. It trains the internal critic that guides the hundreds of tiny decisions you make each time you sit down and write. Empathy — the ability to put yourself in the mind of your reader or your characters. Empathy allows the blogger or freelance writer to connect powerfully with their chosen audience.
It helps the novelist create believable characters who are nothing like their creator. Imagination — the unique ideas and connections that exist below the surface of your writing.
Imagination helps the fantasy writer create unfamiliar yet believable worlds. It helps a non-fiction author view an old problem from a fresh perspective. It gives the short story writer the premise for her next tale. Passion — a love of language, a desire to communicate, and a delight in telling stories.
Passion is the creative energy that carries you through times of uncertainty and rejection.yunusemremert.com is the place to go to get the answers you need and to ask the questions you want.
The beautiful stories that lie in literary fiction are awaiting us; we just need to realize that they never left. It starts with understanding the reasons we should starting picking up great literary fiction books again. THE SPIKE. It was late-afternoon.
Forty-nine of us, forty-eight men and one woman, lay on the green waiting for the spike to open. We were too tired to talk much. Most learners want to know the least amount they need to get a product up and running and only consult the manual if they are having trouble.
Get to know your learning process, and ask others to see if your learning style matches or contrasts with theirs. Jun 17, · The best lyrics, like any good writing, get us to feel emotions because they capture that experience, not because they tell us what to feel.
Try to write about what it's like to feel something, instead of just telling your audience. Jul 16, · I write contemporary women's fiction, and some really weird short stories.
In this blog, I plan to talk about writing, and my path towards publication. Stick around.